Author Chat with Barbara Greig | Discovery

I was intrigued by Barbara’s new release Discovery, for it is an exceptionally interesting story set in a time and place we seldom see – 17thC Quebec. Join me as we chat about her writing inspiration, walking in the footsteps of her characters, and the challenges of writing about real historical characters (hint – did they really say that?!)

Discovery | An epic tale of love, loss and courage | Barbara Greig

Author Chat | Step into New York’s Golden Age with A.B. Michaels

The Madness of Mrs. Whittaker explores two intriguing forces of early twentieth century America: the religious movement called Spiritualism and treatment of the mentally ill. Join me for a fascinating Author Chat with A.B. Michaels and discover more about New York’s Golden Age and the people who created this memorable epoch.

A.B. Michaels | New Release | The Madness of Mrs. Whittaker

Featured Excerpt | Guardians at the Wall | Tim Walker

Today I’m delighted to feature an excerpt of Tim Walker’s exciting new dual timeline historical fiction novel, Guardians at the Wall:
Archaeology student Noah scrapes the soil near Hadrian’s Wall, once a barrier that divided Roman Britannia from wild Caledonian tribes, in the hope of uncovering an ancient artefact around which he can build a project-defining story.
He makes an intriguing find, but hasn’t anticipated the distraction of becoming the object of desire in a developing love triangle in the isolated academic community at Vindolanda. He’s living his best life, but must learn to prioritise in a race against time to solve an astounding 2,000-year-old riddle, and an artefact theft, as he comes to realise his future career prospects depend on it.
In the same place, almost 2,000 years earlier, Centurion Gaius Atticianus, hungover and unaware of the bloody conflicts that will soon challenge him, is rattled by the hoot of an owl, a bad omen.
These are the protagonists whose lives will brush together in the alternating strands of this dual timeline historical novel, one commencing his journey and trying to get noticed, the other trying to stay intact as he approaches retirement.
How will the breathless battles fought by a Roman officer influence the fortunes of a twenty-first century archaeology mud rat? Can naive Noah, distracted by the attentions of two very different women, navigate his way to a winning presentation?
Find out in Tim Walker’s thrilling historical dual timeline novel, Guardians at the Wall.
Buy Links:
Kindle
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Available on Kindle Unlimited

Extract from Guardians of the Wall
The following Saturday, we were in the car park loading Mike Stone’s Land Rover with shovels, hessian sacks, sample bags, trowels, sieves, a metal detector and a ground-penetrating radar device that Richard had signed out for the weekend. I had identified the current owner of the farmhouse, Mrs Betty Hardcastle, a retired widow, and I’d spoken to her on the phone, introducing myself as an archaeology student who was interested in identifying sites of old Roman graveyards. 
It had piqued her interest when I said I had a hunch that there might be a family graveyard plot in the corner of her house enclosure. She’d replied that she was a member of the Corbridge History Society, and was interested in the prospect of finding historical remains on her land. I had played it down, saying that I would like to come over one Saturday with a couple of friends to have a look around. She had agreed, and proposed that we come over right away, on the forthcoming Saturday.
“What did Professor Wilde say to you, Richard?” Dave asked, placing a cool box of sandwiches and drinks in the back.
Richard carefully stored the last of the equipment in and shut the rear door. “She gave me a copy of the trust’s dig rules and told me not to disturb or remove any artefacts we may uncover. We’re only to photograph and record them, then come back and fetch Mike Stone.” 
I groaned at the thought of having to stop if we found anything of interest. I held the passenger door open for Dave. Only three could squeeze into the cab, so Russ had agreed to stay behind.
“Well, I guess she could take the credit if we found anything,” Dave said as he wedged himself in the centre seat by the gear stick.
The drive time to Hardcastle Farm was only thirty minutes, and the electric gate opened for us after I waved at a CCTV camera. We rattled across a cattle grid onto the one-hundred-yard straight drive to the manor house, passing two dozen shaggy-coated Highland cattle and as many sheep chewing the thick, coarse moorland grass. Away to our left I saw the boundary fence and the buildings of the Corbridge Museum between trees, owned by the English Heritage Trust.
“To think that Gaius must have been so near and yet somehow thwarted from reaching Coria,” I said as we waited for a second set of electric gates to swing open. Our approach had been tracked on a moving CCTV camera. The main house, front garden, barn and outhouses were all enclosed by an electric fence.
Richard parked next to a newer, but similar, Land Rover on the gravel driveway. “Let’s hope this is the right place.” 
We got out to the barks of two large smooth-coated hounds with floppy ears, and the approach of our host, a stout, grey-haired woman in cream Aran jumper and corduroy trousers tucked into green gumboots. It was practically a uniform around here, and we were similarly attired.
“Good morning and welcome to Hardcastle Farm,” she said.
“Hi, Mrs Hardcastle.” I held out my hand. “I’m Noah. Thanks for inviting us to have a look around.”
“Not at all, and please call me Betty.” She gave me a firm hand shake. I could see from her ruddy cheeks and frame that she was an outdoors person, no doubt a keen hiker and dog walker on the Northumberland hills that rose from the river valley in which her property sat. “I’m so pleased you called. I’ll take you to the overgrown corner which I think would be a good place to start. There’s a pile of stones that may have been used as grave markers. I’ve put a couple of rakes over there. If you wouldn’t mind clearing away the leaf mulch and twigs for me and tidying up, I’d be grateful.”
She led the way across an expanse of mown lawn towards the corner of the enclosed area, past a stone border and hedgerow that marked the edge of the garden, and onto a rough track that led into an area of low-hanging trees and bushes. There was a disused wooden shed with a partially collapsed roof, then a secluded area with lumps of coarse grass where no trees grew, only a few bushes.
“This looks promising,” I said.
“Yes, I’ve often wondered if this was an old graveyard. The nettles and brambles run riot, so it’s a magnet for butterflies. You can rip up the bushes and slash back the grass, but leave the trees that border this area, please,” Betty replied. The area covered roughly forty square yards.
*****
[In the Roman fortified town of Coria in the year 180 CE, Centurion Atticianus gives his report to Tribune Bebius]
Gaius silently rehearsed the report he knew he would soon be giving, then composed himself as the voices of officers entering the commander’s office filtered through the thin door.
“Ah, Centurion Atticianus, come forward and meet your fellow officers,” Tribune Flavius Lucius Bebius said in a welcoming tone, his composure fully recovered.
“Yes, sir!” Gaius replied, standing to attention. “I am Gaius Vitellius Atticianus, Centurion of Horses of the Fourth Century, Fourth Cohort, Sixth Legion, Victrix Pia Fidelis. I was sent here by Tribune Helvius Pertinax from Vindolanda which is under attack from a large force of barbarians these past two days.”
He paused as the officers gasped. With late arrivals, there were now two prefects and twelve centurions in the room, including Lupus, whom Gaius had recently escorted from Habitancum Fort to the Wall. He nodded to the Senior Centurion whom he knew, Julius Flavius or ‘First Spear’, who was above all centurions.
“It is necessary that you speak slowly, so that my clerk can record the detail of your report,” Tribune Bebius said. Gaius glanced over his shoulder at the clerk sitting at a small table in the corner of the room, stylus hovering over a wax tablet.
“Certainly, sir. But before I continue, may I ask, what action was taken upon hearing the report by Centurion Lupus Viridio of the fourth cohort? He had witnessed the gathering of the Caledonii tribes at the dun of the Selgovae king.” 
A look of anger flashed across the tribune’s face. After glaring at Gaius for his impudence, he looked at the huge man in polished, gilded armour standing before him. “Well, First Spear, did you receive a report from this centurion of a gathering of the tribes?”
“I… did, Your Excellency, but you were otherwise detained at the time, and so I thought it could wait until our weekly briefing, scheduled for tomorrow, sir.”
“Fool! Do you not recognise an important piece of intelligence when you hear it?” The tribune’s cheeks turned puce again, this time with rage. “You could learn much from Centurion Atticianus here, who practically battered down my door to give me his report of hostiles approaching…” He checked himself, and his storm blew over as quickly as it had started, and he continued in a calm manner. “Right, put the entire garrison on full alert and send out your cavalry on patrols. Is there anything else we should know, Centurion Atticianus?”
Gaius cleared his throat and replied, “We were forced off the road at the estate of Magistrate Lucius Gabia…”
Tribune Bebius chuckled, cutting him short. “Ah, Fortuna guided you there. He is a friend of mine and I know his estate is built like a fortress. He convinced himself that one day barbarians would attack… and now they have. He is away in Eboracum at the courts. The walls are high and he even had corner towers built.”
“Yes, Fortuna be praised, sir. We made use of the walls and towers. And with the help of his estate workers, managed to keep the savages at bay long enough to bury our payroll chest and standard, before making a staggered retreat via the river path.”
“You did well, Centurion. My compliments to you for your wise actions in what must have been a grim situation. Remain behind and give the location details to my clerk. They must be recovered after we see off the barbarians.”
Gaius spun on his heels and marched out, followed by the scurrying clerk clutching half a dozen tablets to his chest. Gaius could see soldiers and civilians rushing about through the windows, and knew that meant the warband had been spotted.
The clerk sat and looked up, expectantly.
“We buried a chest of coins and the fourth cohort standard at the estate of Magistratus Lucius Gabia, in a grave marked with a stone in the name, Domina Drusilla Gabia,” he enunciated in a slow, deliberate manner, watching the bird’s nest on top of the clerk’s head wobble as he made deep and deliberate indents in the soft wax. “Those are the salient facts. And now, I take my leave.”



Tim Walker
is an independent author living near Windsor in the UK. He grew up in Liverpool where he began his working life as a trainee reporter on a local newspaper. After studying for a degree in Communication studies he moved to London where he worked in the newspaper publishing industry for ten years before relocating to Zambia where, following a period of voluntary work with VSO, he set up his own marketing and publishing business. He returned to the UK in 2009.
His creative writing journey began in earnest in 2013, as a therapeutic activity whilst recovering from cancer treatment. He began writing a historical fiction series, A Light in the Dark Ages, in 2014, inspired by a visit to the part-excavated site of a former Roman town. The series connects the end of Roman Britain to elements of the Arthurian legend and is inspired by historical source material, presenting an imagined history of Britain in the fifth and early sixth centuries.
The last book in the series, Arthur, Rex Brittonum, was published in June 2020. This is a re-imagining of the story of King Arthur and follows on from 2019’s Arthur Dux Bellorum. Both titles are Coffee Pot Book Club recommended reads. The series starts with Abandoned (second edition, 2018); followed by Ambrosius: Last of the Romans (2017); and book three, Uther’s Destiny (2018). Series book covers are designed by Canadian graphic artist, Cathy Walker.
Tim has also written three books of short stories, Thames Valley Tales (2015), Postcards from London (2017) and Perverse (2020); a dystopian thriller, Devil Gate Dawn (2016); and three children’s books, co-authored with his daughter, Cathy – The Adventures of Charly Holmes (2017), Charly & the Superheroes (2018) and Charly in Space (2020).
Social Media Links:
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Elizabethan Rebel | An Author Chat About Essex with Tony Riches

Tony Riches writes brilliantly authentic Tudor tales, and his most recent historical fiction novel, Essex – Tudor Rebel, is richly detailed and hums with the suspense and excitement of the age. Join Tony as he chats about his research, why he’d like to be locked up in the Tower of London, and who his next Tudor hero is…

Essex – Tudor Rebel | Tony Riches | An Epic Elizabethan Tale

Author Chats | New Release | Clare Flynn’s Sisters at War

Today I’m delighted to welcome Clare Flynn to Author Chats to talk about her latest release, Sisters at War. A sweeping saga, Clare takes us from her own hometown of Liverpool to the Australian outback, following the fortunes of two sisters during WWII. It’s a great chat, and I’m fascinated by how Clare writes her own life of travel into her novels.

Sisters at War | Clare Flynn | A Sweeping WWII Saga

Author Chats | Mercedes Rochelle | The Usurper King

Today’s Author Chat takes us into the fascinating and often confusing world of medieval England. So many names the same, so many battles, so many power grabs and coups. I’ve enjoyed chatting with the very knowledgeable Mercedes Rochelle, who explains the ins and outs of this distant time, why she makes stuff up as a last resort, and how a good argument can solve a lot of things. Welcome, Mercedes, it’s wonderful to talk to you and hear about your latest novel, The Usurper King.

Mercedes Rochelle | The Usurper King | Medieval Historical Fiction

Celebrating Deborah Swift’s New Launch : The Poison Keeper

Congratulations on a brilliant new historical fiction novel, Deborah! Friends, enjoy this wonderful excerpt… and my review on Goodreads.
Naples 1633
Aqua Tofana – One drop to heal. Three drops to kill.
Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell Giulia the hidden keys to her success. When Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.
Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother has been executed, and the cruel manner of her death, she swears she will wreak revenge on the Duke de Verdi.
The trouble is, Naples is in the grip of Domenico, the Duke’s brother, who controls the city with the ‘Camorra’, the mafia. Worse, her Aunt Isabetta, under Domenico’s thrall, insists that she should be consort to him – the brother of the man she has vowed to kill.
Based on the legendary life of Giulia Tofana, this is a story of hidden family secrets, and how even the darkest desires can be vanquished by courage and love.

‘Her characters are so real they linger in the mind long after the book is back on the shelf’  Historical Novel Society

Buy The Poison Keeper

Find Deborah on her website www.deborahswift.com  or on Twitter @swiftstory  
Facebook: https://www.facebook.com/authordeborahswift/

Enjoy the following extract:

A splash of noonday sun danced against the latticed window. Giulia paused, plate in hand, as a spider, escaping the sudden light, spooled slowly downwards on a silvery thread. If it put so much as a leg into the downstairs chamber, Mamma would kill it. Any stray crumb could pollute her work, she said. Any creature that fell into her carefully measured remedies could change the balance. Turn good to ill. Things were apt to turn into their opposite without careful attention, Mamma said, and Mamma was always right.
Fortune smiles on you today, little one, Giulia thought, Mamma is busy in the still-room.
The spider completed its acrobatic descent and was gone; spindly legs scuttling away across the windowsill, and into the blue-black shadow behind the cheese press. Giulia finished laying out the meal; yesterday’s bread, wedges from a round of hard salty cheese, pickled olives and figs from Tuscolo.
She called down the staircase, ‘It’s ready, Mamma.’
It was their servant Maria’s day off, so it was left to Giulia today to make Mamma eat. And today she was determined to make her listen.
She cocked her head. No answer.
Mamma often didn’t hear, or pretended not to, when she was involved in her work. Giulia tucked the stray wisps of hair back into her dark coiled braids, lifted her heavy skirts and went downstairs, heels clacking on the stone treads. The door was shut as usual. It seemed to her she’d been locked outside this door her entire life. Only when Mamma was ready, would she open it.
She remembered the time when she was eight years old straying into the still-room and lifting the end of a stopper to her nose to smell it. A stinging slap to the cheek. ‘Never, never do that,’ Mamma had shouted, whipping the stopper away with a gloved hand, ‘You could die.’
Since then the door was locked, until Mamma deigned to open it.
Jerking her attention back to the present, Giulia gave a double knock, louder than necessary. She’d make Mamma listen, this time.
The door swung open, and Mamma was there, angry as a wasp, a pair of red-hot tongs in her hand and a lump of something black smoking in their jaws. She hated being disturbed. ‘What?’
Giulia put a hand to her nose. The heat and noxious smell of the still room had stopped her at the threshold. There was always something on the boil down here.
‘Well, what is it, that you must knock fit to wake the dead?’ Mamma pulled down the gauze so only her sloe-black eyes were showing. The lower part of her face was covered so she did not breathe in the gases as she worked.
‘It’s ready,’ Giulia said again.
‘What?’
‘Food, Mamma. You put it in your mouth and swallow it, and it stops you from dying.’
‘Ha, ha. Less of that. I’m coming. What’s the hurry? Nothing will spoil. I must wait until this dissolves.’ She pointed with the tongs to a small charred pan bubbling over the fire.
‘I’m hungry,’ Giulia said, ‘even if you’re not.’ She blew onto her upper lip. ‘It’s airless again down here. How can you can bear it?’
‘Because if I don’t finish this, neither of us can afford to eat, my dove, that’s why.’
‘You should let me help more.’
Mamma dropped the smoking lump of matter into the pot. ‘This is delicate and needs a slow and steady hand. Better I do it. And never fear, there’ll be time enough for learning this when you’ve mastered the kitchen simples.’
‘They’re mastered, Mamma. I can make them blindfold, every single one. You promised you’d train me in the secret arts when I was sixteen. Then you changed your mind, and said when I was eighteen. And still, even now I’m waiting.’
Mamma threw her look that said, ‘not that old argument’. Giulia watched her mother hang up the tongs, wash in the stone basin, wipe her hands, wash and dry them again, examine them minutely, put her gloves back on, and then return to ministering to the fire.
She was used to her excessive cleanliness, though today it made her want to scream. Mamma dealt in grains and specks – granules of matter so small they could barely be seen. Not a single ant was allowed to tiptoe into her workroom; every table was scrubbed with lye and bleached white, and she made Maria burnish the tiled floor with beeswax to a high gloss.
Giulia hovered by the dispensing table, picked up a small lead weight from the scales then put it down again. It was fruitless to discuss this again. But the words still came out of her mouth; ‘When will you train me in alchemy, Mamma? Who will make the remedies when you’re too old and sick?’
‘Tush. I’m hale as ever I was. Can’t get rid of me yet. Anyway, I’m far too occupied at the moment to spare the time.’ Mamma shrugged and turned away again to stir the pot. ‘Pass me that flask, will you.’
The sight of Mamma’s bent back, with the neat grey curls poking from under her starched cap, and the hunch of her shoulders, suddenly made Giulia furious. By God, she’d make her listen this time. Deliberately, she picked up the slender glass flask from the table, opened her fingers and let it crash to the ground.
At the sound of splintering glass, Mamma whirled round.